Sunday, May 19, 2019

“Ode to a Nightingale” and “To Autumn” by John Keats. Essay

wild-eyedism is a movement in literature that came as a result of a revolt against the previous period Classicism. John Keats was an English poet who became one(a) of the near important romanticistic poets. William Wordsworth, another signifi fuckt figure during quixoticism, described it as liberalism in literature, moment the artist was free from restraints and rules, and was encouraged to write about his/her own experiences, kind of than being a inactive fabricator praising an event or person. Romanticism emphasizes on passion rather than reason, imagination rather than logic, and intuition rather than science. The Romantics were drawn to the medieval past, myths and legends, transmundane being, and nature.Keats led a very tragic inflect. His poetrys foundation often be related back to his bitter and sad experiences in life. Many of the ideas in Keatss works atomic number 18 quintessentially of Romantic nature imagination and creativity, the beauty of nature, magical creatures or experience, and the true sufferings of homosexual life. Ode to a Nightingale and To Autumn are two well known odes by Keats. They both beam some of the concerns in its context.Ode to a Nightingale explores the sufferings of mortal life and ways of escape including alcohol, imagination and poetry, and death. The nightingale represents transcendence to a better globe and its verse is the means by which the narrator reaches this state. Other Romantic poets often used this type of escape. In stanza I the narrator hears the tenor of a nightingale and he expresses his deliberate numbness pains which are not the effects of alcohol, exclusively rather, from being so able in hearing the song that his heart aches and his senses numbs. In stanza II, the narrator longs for alcohol, so he can stymy his troubles and leave the world unseen with the chick. This leads to stanza III, with a sombre description of the humanity life that the nightingale has never known The weari ness, the fever, and the strangle, W here youth grows pale, and spectre-thin, and dies, Where Beauty cannot keep her lustrous eyes. Miseries and the true conditions of mortal life were popular themes in Romantic poesys.In stanza IV the narrator feels a great desire to vaporise away with the bird, away from grim mortal life and into an ideal world not through alcohol, butthrough imagination and the viewless wings of Poesy or poetry. In stanza VI, the narrator contemplates the idea of death. The narrator is attracted to the state of dying amongst ecstatic music, flowers, perfume and the lenient darkness. At the end of stanza VII, the nightingales song portrays a completely magical and imaginary world. However, it is not like a paradise, instead, it is more like a destructive world of illusions perilous seas, in faery lands forlorn. Romantic poems often contained the fantasy element.In stanza VIII, the narrator is jolted back to his reality world by the word forlorn. He realizes th e bird has deceived him by convincing him he can escape into the ideal, but temporary world, but in the end, he will always have to come back to reality. The narrator is left with one last move to ponder Was it a vision, or a waking dream?Fled is that music Do I disturb or sleep?After the music of the nightingale is lowestly gone, he is unable to distinguish whether he heard the bird in his dream, or whether he was awake then, and asleep now. The end relates back to his drowsy state of being in stanza I. This circular structure can be found in a number of Romantic poems eg. Wordsworths Tintern Abbey, Keats La Belle Dame Sans Merci, and a number of his other odes. disk shape gives a sense of completeness without giving precise explanation to this experience.This poem has many characteristics in a Romantic ode including the poets involvement in the poem, the seriousness of the issue being discussed, and a further insight into life. too many nomenclature techniques used by Keats , including alliteration, rhythm, rhyme, onomatopoeia, synaethesia, and personification, were commonly used by other Romantic poets. the likes of most other Romantic odes, Ode to a Nightingale is written in ten line stanzas. However, this ode is variant in rhyme and rhythm. The first seven and the last two lines of each stanza are written in iambic pentameter, the eighth line of each stanza has only three accented syllables instead of five. Therhyme purpose is the same in every stanza ABABCDECDE.Synaesthesia is a poetic device where a thing associated with one sense is described in terms of another. It can be found in stanza II vino is being described as draught of vintage, it tastes of flowers and the country green (normally associated with sight and smell), dance (movement), song (sound), and insolateburn and mirth (feel and touch). Synaesthesia can also be found in stanza V where the climax musk-rose (touch and smell) is associated with dewy wine (taste).Keats uses alliterati on to convey the tone and personification to dramatize the poem. Hippocrene (wine of poetic inspiration) is described as blushful, with beaded bubbles winking at the brim. The alliteration of b sounds conveys goose egg and suggests fuzzy champagne. The repetition of soft sounds in fade away into the forest dim leads us to stanza III where the first three dustup Fade far away has the repetition of a sounds, this lengthens and makes the tone subdued and melancholy. The alliteration of fever and the fret is followed by a series of phrases beginning with Where, this emphasizes the fact all these problems are associated with the mortal world. Beauty is personified here with having lustrous eyes. The first two words in stanza IV Away Away renews energy after a grim stanza III. Already with thee also quickens the pace. In stanza V, there are a separate of s and c sounds, which reflects the quiet mood. Death is personified in stanza VI, and the nightingale is personified in stanza VII. T he bird is described as not born for death. The poem finishes in a regretful, quiet tone. The narrator and the reader are left to ponder the experience of theyve just gone through. It ends with a mysterious note that many Romantic poems including many of Keatss other poems also have.To Autumn is an ode about the real world of harvest, maturity, and fruitfulness, transfigured by the imagination. This poem was one of the last poems Keats wrote before his death. In this, Keats acknowledges his life is near the end and he accepts that beauty is in all things. The theme of this ode is one of the most popular themes used by Romantic poets. The narrator opens the poem and stanza I by addressing Autumn as a dear friend of the sunClose bosom-friend of the maturing sun. They plot to load the vines with fruit, bend trees with apples, fill all fruit with ripeness, plump the pumpkins and fill flowers with honey for the bees. In stanza II, the narrator describes Autumn as a woman sitting on a gr anary floor, or on a half reaped grain field, watching juice from apples being squeezed by a cyder press. Stanza III associates Autumn as the season on the brink of desolated winter, the songs and sounds of summer are sad and quiet. Our lives can be described in terms of seasons spring is the beginning, summer is the peak, autumn is the maturing years and winter is the final stage in life.The form of this ode follows the same structure as other Romantic odes but it is varied. It is in eleven line stanzas, each in relatively precise iambic pentameter. The rhyme scheme divides each stanza to two parts, the first four lines follows ABAB, while the last seven lines either follow CDEDCCE (first stanza) or CDECDDE (second and ternion stanza).This poem takes up the themes of other odes including temporality, mortality and change, but it is full of warm, rich and calm images. Keats establishes the serene tone by use of enjambment (where an idea is carried over into a new line), onomatopoe ia and personification. In stanza I, Autumn and the sun are given human qualities. The sun is personified by its maturity. A feeling of plentiful and abundance is created by what Autumn and the sun are conspiring to do. In stanza II, Autumn is completely personified, it is being described as a woman, sitting, sleeping, doing the things we humans do. This creates a feeling of warmth and familiarity. In stanza III, the day is personified as the soft-dying day, small gnats grieve in a wailful choir and the light wind lives or dies. These images convey a quiet, nonviolent sleep (death). Keats demonstrates that in nature, there is the constant cycle of life and death and death is a abruptly normal, peaceful process. From this poem, we can learn that accepting our fate, destiny and our mortality does not happen upon our ability to consider beauty in our mortal world.Romanticism was a period that focused on emotions, the imagination, themortal world, myths and legends, supernatural be ings and the place of the individual in this world. Ode to a Nightingale and To Autumn are typical Romantic poems. Their structure, language features, and themes reflects those typical during Romanticism. Ode to a Nightingale is about transcending to an ideal world, while To Autumn is about the real world changed by imagination. The moral of both is that there may be temporary escape from grimness of human life, but in the end everyone has to return to reality and accept our mortality, and this acceptance wont affect our capability to appreciate beauty.

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